

My practice begins with observing: wandering long enough for the ordinary to become unstable.
Photography is the foundation of my practice, but increasingly I am expanding the image into sound, material and spatial forms. I am interested in perception, consciousness, nature and the threshold between what is physically present, what becomes perceptible and what is experienced as real.
My way of seeing shifts with the state of the observer. In the city I am alert and analytical, scanning like a predator and striking with the camera. In nature, photography becomes a physical form of meditation: I allow the boundary between myself and the landscape to soften. I do not chase the image; I become open to receive.
Across both approaches lies the same impulse: to look at what easily escapes the eye and
make the invisible visible